LAB 2026: The Instrument, Romance, Bee Boy by Guillermo E. Brown

Cost

$25 single tickets and $35 LAB festival pass here: https://www.redcat.org/industrylab26 

Organizer's Site

www.redcat.org/industrylab26

Council District

City Council District 1

Event Series Dates

2/20 & 2/21, 8 PM

2/21 & 2/22, 3 PM

Guillermo E. Brown
Event Schedule

The Industry celebrates the return of its LAB series, in partnership with REDCAT, featuring new works in opera by renowned artists Guillermo E. Brown, Carmina Escobar, and Matana Roberts.

Guillermo E. Brown presents a triptych of performative strategies, playing with and about time inside a maximalist, roulette-like approach. With The Instrument—a boundary-pushing performance system fusing drumming, singing, electronics, and custom sensors—a 30-inch, gong-like projection surface becomes both drum and screen, encoding touch into sound and image to shape stories in the ether. Romance, inspired by Claude McKay’s novel Romance in Marseilles, distorts storytelling through the manipulation of time, place, and space. In Bee Boy, Brown charts metamorphosis and community, letting change ring out as a percussion-driven rhythm of resistance.

Guillermo E. Brown is an American musician, vocalist, performer, and record producer. He pushes music performance to new heights through musical collaborations, sound installations, and singular theatrical works. Splitting his time as a solo performer under the moniker Pegasus Warning, and as a musician, he has been featured on over 50 full-length recordings as a drummer-vocalist-electronics/collaborator with David S. Ware, William Parker, Matthew Shipp, Vijay Iyer, Mike Ladd, Roy Campbell, Anti-Pop Consortium, Anthony Braxton, DJ Spooky, El-P, Carl Hancock Rux, Vernon Reid, DJ Logic, Latasha Diggs, Dave Burrell, George E. Lewis, Mendi & Keith Obadike, Victor Gama, Arto Lindsay, Spoek Mathambo, Jamie Lidell, Saul Williams, CANT, Mocky, Twin Shadow, Grisha Coleman, Suphala, and Nia Andrews, among others. From free jazz ensembles to The Late Late Show with James Corden, he demonstrates his expertise in disciplines that combine experimental musical performance with a sense of political urgency.

Upcoming Events

April 23 @ 11:00 am - 4:00 pm -
EB4A3741-417F-49C2-A831-DCABCFD7B04C-1
$0.00 - $7.00

Hollyhock House Tours

Experience the interior of Hollyhock House at your own pace with a self-guided tour. Docents are on hand to provide information and answer questions.

April 23 @ 10:00 am - 5:00 pm -
$15.95: Adult$10.95: Senior (65+), Child (13–17), College Student, Educator$0.00: Child (12 & under)

A Look at Our Collection Sandra Rowe

A highlight of recent additions to the permanent collection through new mixed-media works by Sandra Rowe. The work provides insight into the artist’s evolving practice and regional significance. Visitors encounter themes of abstraction, memory, and experimentation.

April 26 @ 11:00 am - 5:00 pm -
Free

Dear Mazie

An exhibition inspired by the life and work of Amaza Lee Meredith (1895–1984), the first known Black queer woman to practice as an architect in the United States. Eleven contemporary artists, architects, and designers were commissioned to create responses to Meredith’s multifaceted legacy, plotting her life and work within themes of placemaking, gender, sexuality, and Black love, while also exploring her impact in public education, the arts, and architecture.

April 23 @ 11:00 am - 8:00 pm -
The Broad,

221 S. Grand Ave
Los Angeles, CA 90012
United States

Free, timed entry required

Amy Sherald

This artist page introduces Sherald’s portraiture practice, emphasizing representation, identity, and cultural storytelling. Visitors can explore works within the museum’s collection and learn about her approach to depicting Black life. The entry provides biographical and contextual insights into her work.

April 23 @ 12:00 pm - 5:00 pm -
Free

Belongings: Changing Hands and Shifting Meanings in African Arts

Tracing the journey of African objects as they circulate across time, owners, and geographies. It examines how meaning shifts through colonial histories, market exchange, and cultural reinterpretation. Objects are reframed as carriers of narrative, identity, and memory.