Department of Cultural Affairs
Create fun memories during summer vacation with a free tour of The Music Center’s sprawling campus. The 90-minute tours encompass The Music Center’s Dorothy Chandler Pavilion, Ahmanson Theatre, Mark Taper Forum, and Walt Disney Concert Hall.
Tuesdays – Fridays, 11:00 a.m., Saturdays – Sundays, 10:15 a.m.
The Crazy Superhero Vacation is a production by Ms. Neate’s class at Vena Avenue Elementary. Animation and editing are by Pieter Hardeman of Toy Story Lab. Southland Sings is a creative organization using the arts to unlock creative potential through live opera, musical theatre production, education assemblies, and music composition for all ages.
It is a love story set in a fictional jazz club where two people journey to Kansas City as part of the Great Migration. SCAT! Tells a powerful tale of the aftermath when aspirations are impacted by the harsh realities of American life during the 1940s and 1950s. The 90-minute dance work, set to an original jazz score by Craig Harris, will be performed with a live band at The Music Center’s Mark Taper Forum. Friday and Saturday 7:30 p.m.…
A More Than Human Tongue explores the fusion of ancestral practices and modern tech with a pair of innovative experiences. One Who Looks at the Cup, by Mashinka Firunts Hakopian with Atlas Acopian, and Lara Sarkissian, uncovers the secrets of tasseography (the fortune-telling method of reading coffee grounds) reimagined through AI. Voice in My Head, created by Lauren Lee McCarthy and Kyle McDonald, delves into the mind’s inner workings, in which guests hear voices in their heads through earbuds – but…
This exhibition highlights two popular genres of 19th-century Mexican painting commemorating family members who no longer reside in the household— offering them a lasting presence in the home. The first intimately portrays deceased individuals in likenesses imbued with grief and tender remembrance. The second genre is the uniquely Mexican monja Coronado or “crowned nun” portrait. Images of flowers adorned Brides of Christ were commissioned by the families of women who took Catholic ecclesiastical vows and permanently embarked on cloistered lives.
ARTEONICA* revisits a lesser-known Latin American art movement, initiating a discussion between a group of innovative computer artists from the 1960s and 1970s, and contemporary Latin American artists whose work is influenced by their legacy. Despite the political and social conflicts across Latin America in the ’60s and ’70s, artists in the region explored the interconnectedness of art, science, and technology during that time.
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